Power of Words 2009 - Early Bird Deadline Extended!

From the Conference website: http://tlanetwork.org/conference/

The Power of Words:
Liberation, Transformation & Celebration Through the Spoken, Written & Sung Word

September 4-7, 2009 at Goddard College, Plainfield, VT

Explore how we can use our words — written, spoken or sung — to make community, deepen healing, witness one another, wake ourselves up, and foster empowerment and transformation. Organized by the Transformative Language Network, and founded by Goddard College, this conference features experiential workshops on a wide range of the expressive language arts and right livelihood, performances, open readings, and celebrations. Make community with others who share your passion. Keynote presenters for the 2009 conference include:

Kayhan Irani, performer of the Theatre of the Oppressed and creator of Artivista, an organization that combines art and activism as a form of political expression and engagement

John Fox, poet, author, poetry therapist, and founder of Poetic Medicine, and author of Poetic Medicine and Finding What You Didn't Lose.

Lewis Mehl Medrona, author of Coyote Medicine, Native American physician and psychiatrist and professor of family psychiatry who calls himself a post-modern, semi-urban neo-shaman.

Dovie Thomason, award-winning Native American storyteller, recording artist and author

Caryn Mirriam-Goldberg, founder of Transformative Languages Arts, and award-winning author of several books including Write Where You Are and Lot’s Wife, who will be debuting her memoir, The Sky Begins at Your Feet.

Sherry Reiter, poetry therapy pioneer and author of Writing Away the Demons: Stories of Creative Coping Through Transformative Writing will present a workshop with her co-authors.

Callid Keefe & Kristina Perry, facilitators-in-residence and writers on Theopoetics and the Quaker meeting tradition.

Terry Hauptman, artist-in-residence, painter and poet, and author of On Hearing Thunder, Rattle, and Masquerading in Clover.


This year, too, there will be tracks focusing on Narrative Medicine, Right Livelihood, and Social Change.

Visit http://tlanetwork.org/conference/ for more information and to register!

Podcast Answers - Day 2: Transformative writing

As I mentioned on Monday (here, you remember), I'm going to post longer, more well-thought-out (maybe!) answers to the questions that Britt Bravo posed to me during our Arts and Healing Network podcast conversation last week. Here's our second installation!

The second question on the list:
2. On your site, you describe [your workshops] as “transformative writing” workshops. How are they transformative?

Transformative writing is writing that changes you in the process of its creation. A dictionary gives one definition of transform as “to change completely for the better.” Another definition: “to convert one form of energy to another.”

And for the word transformation one of the definitions is: a complete change, usually into something with an improved appearance or usefulness.” Another? “A sudden changing of a stage set that takes place in sight of the audience.” Yes – that’s what we’re talking about here.

(In looking these up, I’ve just learned that there’s such a thing as transformational grammar, a phrase I find extremely exciting but which I’m not (necessarily! I can’t actually say for sure) talking about here).

Writing that’s transformative is writing that surprises the writer as it’s emerging, either with respect to form, content, structure, or some other element. It’s writing through which the writer maybe learns something about hirself* on the other end (even if the writing is fiction—that teaches us about our capacity as writers/artists). In my experience, there’s much writing that’s transformative – freewriting as a method works well for me, when I can let the writing come, can get the editor out of the way and discover after I’m done what it was that I was trying to say.

Dara Lurie, a writer and workshop leader in New York, describes transformative writing as, "a process of refining and clarifying ones own thoughts and actions through the conscious use of language." ( from her website). I like this a lot! I initially met the word 'transformative' in conjunction with writing when I learned about the Transformative Language Arts program at Goddard College, which describes itself as being "is for students interested in the intentional use of the written, spoken and sung word for individual and community growth, development, celebration, and transformation." (more info here...)

There’s also writing that, because of its structure/creation, is transformative for the reader: this is writing that gives us as readers the chance to discover something about/for ourselves as we take in the work. (I’m going to name two names here, for me: Gloria Anzaldua – Borderlands/La Frontera; Jeannette Winterson – just about anything).

This all ties into my understanding of an erotic writing practice or process: writing that is risky, genre-defying, full of metaphors, stream of consciousness, deeply connected and unconsciously-driven. An erotic writing process is distinct (though not always separate from) writing that is erotic in content (sex stories & the like), a writing session in which one engages in the erotic/organic process of freewriting, an experience of writing that brings one well into the paths of one’s inner labyrinths. Over time, through the use of this practice, we are not only able to improve our writing, but we are also able to witness ourselves in the process of changing. “One of the main aims in writing practice is to learn to trust your own mind and body…We must continue to open and trust in our own voice and process. Ultimately, if the process is good, the end will be good. You will get good writing” (Nataile Goldberg, Writing Down the Bones).

I’m talking about the fact that the process of writing itself can be an erotic experience, if we can engage a definition of “erotic” that’s closer to Audre Lorde’s (“I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way. And when I say living I mean it as that force which moves us toward what will accomplish real positive change.” About Audre Lorde) or Alicia Ostriker’s (“Metaphor is the erotic element in language.” Ostriker, Alicia. “A Meditation on Metaphor.” By Herself: Women Reclaim Poetry, edited by Molly McQuade.).

Transforamtive writing is rich and risky – it takes chances – it’s not driven by our inner editor. It lets the hand, the writing, do the writing and gets our head out of the mix, at least for the first draft—the head comes in later! (No pun intended – let’s move on.) Sometimes the results of this kind of writing are very linear. Sometimes the results are an almost surreal conglomeration of verbs, nouns, and adjectives with no distinct structure, conjugation or form—often the resulting writing is somewhere between these extremes, and every time, every time, though, this is writing that brings listeners to the edge of their seats, emotionally resonant, writing you don’t want to end, even if the content, the topic, is difficult or hard.

The AWA workshop method, as defined by Pat Schneider, is an especially good container for, especially encouraging of, transformative writing: writing that takes risks, that rides on the edges of control, that opens us to the possibility of change. It's what makes possible us writing ourselves whole!

What do you think about all this? What might "transformative writing" mean to you? What do you think of or envision when you hear/read that phrase? Let me know!


* hir/ze – these are gender-neutral, all-encompassing pronouns; more aesthetically-pleasing (and broader!) to me than “him/her-self,” etc,

Writing and healing in the news

Some time ago, I set up a GoogleAlert to let me know when the words "writing and healing" appear in a news artlcle or online posting. I've received some surprising and lovely results, mostly from small, local or regional papers/journals/blogs. This is the sort of news we (I, at least) don't read every day, the deeply important, so-called "small" stories that aren't receiving wide, mainstream attention.

Recently, I learned about the following:

The Wordcraft Circle oF Native Writers and Storytellers are back to host the 'Returning the Gift Native Writer's Festival' in March, at MSU in East Lansing, MI.

A story about veterans using writing to heal from trauma (in the National Catholic Reporter!)

And a report from Charlottesville about a reading from the collection 'Meet Me At the Mountain Top, personal narratives of recovery from mental illnesses at Region Ten’s Blue Ridge House.

Had any of you already seen these stories? All these folks are using the written word to transform their lives, and the lives of others.

Oh! And from a completely different announcement, I learned about this wiki, hopebuilding, stories of ordinary folks doing extraordinary things to improve the world... let's make sure to visit this site, and post our own stories of extraordinary action in the service of our individual communities! This is the kind of news we need to know...