Writing Ourselves Whole

"Liberty is the right not to lie." - Camus via Califia

A blog about sexual healing, erotic writing, and the transformative power of words.

Thursday, September 24, 2009

We are flawed and magic

So.

I haven’t been doing that well, lately. I’ve been triggered with loss and sorrow and rage. September does this to me a lot, and at the beginning of this September, I was in New Hampshire and Vermont, the very places where I began the break from my stepfather and his extreme control and abuse, back in 1993.

Somehow, this year, while I was driving back and forth on i-89 from Lebanon, past Hanover, to Plainfield, while the sun rose through the thick early-fall fog sweltering over the crevices in the Green Mountains to make it up for the day’s Power of Words offerings, and then back down south (through the nearly indelible dark) to my friend’s apartment for good if abbrevited conversation and sleep, I managed to drive myself right back into the past – right back into that 21 year old convinced both of the world she’d been trained into and convinced that there was nothing left to her future but utter soul-destruction if she didn’t manage to get away from the man who’d decided to turn her family into his harem; when the man she loved had given her an ultimatum (him or me, her boyfriend said, because that was what it looked like), she chose her boyfriend and was (don’t ask me how – it’s still a kind of miracle to me) able to pick up the telephone and speak into her utter terror: you can’t do this to me anymore.

It began a process of extraction. I realized, during those few days earlier this month back in that countryside, back on those roads (filled still with the echoes of all my sobbing, traced still with the fear that he would send someone to destroy me, thick still with the impossible desire that had begun to bubble in me for a new way of living, for women, for change), that I’m still extracting myself from those old horrors.

1993 is 16 years ago. Sixteen years. Sixteen years. Why am I still in this struggle? Why isn’t it done yet?

This was the sort of question I was tormenting myself with over the last month
(alongside the old sorrow, of course, trying to reach back to that 21-year old and let myself finally forgive her, forgive me, for all that she had to do to get to where she could make the break that her mother couldn’t make, her father hadn’t made, no one had stepped in to make for her. I didn’t have to crawl through a river of shit literally, but I sure did have to drag the people I loved more than myself through it)…

What good does it do to ask why you’re not over it yet? What does that question even mean? It’s not actually get-overable, this history. It’s of me now. Right?

When I’m thick in the sludge of shame and possibly-irreparable damage, depression laced with terror, sorrow that my sister and I still struggle so hard to share space, to be in the same room and really look at each other, what difference does it make why I’m not ‘over it’ yet?

And all the while, I’m trying to be functional. Functional. Show up at my day job. Truly ‘show up’ (heart and all) at the workshops, be available to hold space for us as a group of survivors writing, be open (then) to not being perfect at it. I try to show up for my husband…

And otherwise, I slip out through the thread of things. I leave conversations. I don’t return friend phone calls or emails. I leave Facebook alone, as I don’t want to be reminded of all that I’m missing, all that I’m not accomplishing, all that I’m not I’m not I’m not…

My friend asked me, when I was finally able to reach out, as the deep trance started to break and I felt my heart start to reopen again to the now: “Who can talk to you when you’re in that place?”

What? What a fantastic question, I thought, and told her. Most of the time I’m asked, Who can you talk to when you need support – but she reframed it. And I saw that there were people in my life who could meet me in the mire of shame and self-hate, who could speak kindly and gently into the midst of those old voices. And I felt a little less alone.

I’m not fixed yet. It almost feels like a confession I need to make. Now that I’m feeling better, stronger around all those fragments I still hold of me, I remember that most of us aren’t – that for so many of us, there’s no such thing. There’s learning to maneuver anew, with these scars. There’s laughing anyway. There’s learning new arms for self-care, like with the bunches of rosemary carted to every workspace, just to clear the air.

These are the voices of the depression, the old training, when I’m in the thick of it: I question who I think I am, offering writing workshops for sexual trauma survivors – and then, I think it’s unprofessional to reveal how I’m really doing. I think I can’t possibly tell my friends – they’ll think I’m pathetic, they’ll talk about me to other people, they’ll ask if I found a therapist yet.

Please note: No friend has ever responded to my sorrow this way – it’s the learning of that decade without a close friend, a pre-teen girl taken into the lair of a sociopath and trained away from the sort of socialization we’re supposed to get as teenagers, about how to have intimate relationships with people who aren’t sex partners. I only learned to relate to people through sex. It was the only option I had for intimacy outside of abuse, and I took it.

Here from this place back where my peripheral vision is wider (here, where I can see out into the music and mystery of a hawk floating over Market street, above the Flood Building, signaling to me that we’re still here, we’re still full of possibility), I know that it’s ok not to be ‘fixed.’ I know that we’re all struggling in different ways to stay engaged with this thing called humanity -- I know it’s ok to be human. Imperfect.

I want to touch that 21-year old I was, hold her hand in the impossibility of her solitude, remind her it’s ok that she’s human: that she needed an ultimatum from a lover to open the door to that previously-unimaginable action, to pick up a phone, shivering, and say, No. Enough. That it's ok that she couldn’t just choose herself: she had to choose (for) a lover. Of course, at that time, she’d (I'd) been trained into such a devaluing of self that that was the only option—and she took it. We took it. I took it. And I survived.

We do what we have to do. We are flawed and magic. And we survived. And I am sorry and I am grateful.

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Monday, September 21, 2009

Poem for the day: I shall be released (Kevin Young)

Thanks to the Poetry Daily weekly newsletter that directed me to this extraordinary poem from Kevin Young:


I shall be released

What we love
will leave us

or is it
we leave

what we love,
I forget—

Today, belly
full enough

to walk the block
after all week

too cold
outside to smile—

I think of you, warm
in your underground room

reading the book
of bone. It's hard going—

your body a dead
language—

I've begun
to feel, if not

hope then what
comes just after—

or before—
Let's not call it

regret, but
this weight,

or weightlessness,
or just

plain waiting.
The ice wanting

again water.
The streams of two planes

a cross fading.

I was so busy
telling you this I forgot

to mention the sky—
how in the dusk

its steely edges
have just begun to rust.

Kevin Young

Dear Darkness

Alfred A. Knopf

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Thursday, September 3, 2009

" At nearly 40, you are finally learning about friendship"

(One of our prompts at the Art for Recovery writing group last week was this: “you wake one morning and you are expecting…” (from "The Crows," Evelyn Fitzpatrick)

You wake one morning and you are expecting to believe again, to fall into the foreshadowing that the dreams brought into you, or you into. You remember the doves, the way they carried you, and the pelican’s dipping heads, feeding under your feet, and how you walked over the water til you got to the other side of the lake, and to nearly dry land, where you sat back and cried because you were exhausted, desiring, and hadn’t noticed your ability to talk on water while you were doing it, you just needed to get somewhere, and now that you’re there, you know with out trying that the capacity has left your feet.

You poke one toe at the water and it sinks beneath the surface. Minnows startle away like dreams, like longings, like small children—you remember, after waking, the streaks of water down your cheeks and, too, how the surface of the lake undulated with a presence beneath your soles, like no surface you’d ever before encountered    but it felt so normal all the wile you were crossing the lake       what had you needed to get to? Why couldn’t you pay attention?

You think you remember – the way dreams come back unbidden, like childmemory – something having to do with a good friend and a loss, a declaration or a poem you had to deliver       but mostly you just wanted to get to her. She was mourning, and you knew about mourning, how so often it goes and rides through you, us, without words – and how you wanted o sit next to her, and she was, you knew, on the far side of the lake from where you’d begun, and the lake was long, unbearably so, and you’d known, in the dream, it would take too long to go around, something would break in her during the time you were being a good and dutiful; boy or girl citizen and walking barefoot the long way ‘round       and so you rolled up your cuffs just slightly because you didn’t want to be entirely unpresentable when you got to her and you strode out onto the surface of those tidal silty waters. You could have swum, you suppose, but it hadn’t exactly occurred to your dream self to do so       when you get to the other side (not of the lake, but of the dream, after you wake) the day is coolwarm and the dream air around you, back in there, was salty-kelpy, smelled like worms and cormorant feathers and exhaust fumes. When you wake up, you wondered why no one else seemed surprised that you were walking on the water – and that no one joined you. In the dream, you were alone on the other side, you sat down on a rock wall built by laborers fifty years ago to keep the lake’s banks from eroding, and you leaned back onto your hands and you wept with a kind of thick longing. You woke up, still catching the sobs in your sleep-riddled throat, and you brought your waked hands up to your face to feel if it was wet there. It wasn’t, but that didn’t quite convince you you hadn’t been crying –

You knew this dream was something to do with faith and the enormity of friendship, the clotting that friendlove will let you do, how a deep trust in someone who knows you, knows even the things you think you hide, the person with whom you have failed most indelibly and still they hold their arms open to you, the deep trust of settling into letting that love be a part of your life and wanting to return it, makes miracles flow from the tips of your fingers, solidifies even the most liquid thing, makes liquid, too, the rocks and boulders with which you’ve cluttered your heart. All you had meant to do in the dream was get to your friend where you knew she sat alone next to a live oak tree on a greening hillside near the lake and keened for what she had lost, sit your body next to hers and let her keep on howling – just not alone. You wanted to be the hand she could grab onto if she needed one, you wanted to be some ears she could pour story into if she was ready, you wanted only for your body to be there, next to her body, both your fractured human lives embedded into the earth and inextricably into one another’s hearts.

At nearly 40, you are finally learning about friendship, about a kind of love that has not sex at its core but something more substantial, less malleable, something you don’t have words for, something you can’t bribe into or out of place, something you can’t control – and that realization, that without your manipulating it or wheedling it or flirting it, someone loves you in all of your flawed entirety, even still, at your waking time here in your post-good-dream bed, brings you back up to tears, opens you to gratitude, bleeds you toward hope.

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Friday, August 7, 2009

What would I tell them?

(This was the prompt...)

“What would you tell young friends who are afraid?” what I want to say is that the night sweats happen and then they are gone, the same nightmare appears for years and then its terrifying physics and grammar begin to transform around the dreaming you: suddenly you can pseak, you can move, you can run, you can say, now, No when before the word could only push from your lips into a screaming wait that woke you and your lover at midnight.

You see from those dreamtime changes that you are healing, your seams are coming together and it’s a slow, it’s an interminable process it will seem like it’s never ending and it ought to. Feel every minute of it, let the loss and terror burn through and be done with you. Someday it will be done with you, because you stayed with It, because you were not thrown by the fire and rage that you yourself contain.

This is a terrible thing that I’m recommending, I know.

Write it all down, all of it, even the stuff you know can’t be testified to in a court of law but that sits still on your tongue to be spoken: better to spit out the lies they fed you onto the page rather than swallow them. Now and again you can flip back through your record, see, read, how you have changed in two weeks, two months, 10 years. Build a bridge to your whole unsullied soul, still locked safe inside you, with those words. Write out all your complications and conflicts, the ways you are always in conflict, the jealousies and inconsistencies and fears. Don’t show it to anybody. These are the places we have.

Be more afraid of finding out what loss looks like from the inside out, be more afraid of losing the ability to write before you have recorded all that you are. This is you creating your own rabbit trail. Hansel and Gretel aren’t throwing down any bread crumbs or stones for us. We write our own Wonder Woman, Batman, Savior – we write ourselves ahead when we say right now what’s true. It’s the only lily-pad-hopping way forward I know. Settle into this skin of confusion with your pen in hand. Stitch away time out of your day just for writing. Let the words be the only think you hold.

And then feed yourself well. Visit the doctor or NP now and again. Call the good friends, the ones who leave you alone when you’re writing, the ones who don’t try to fix it when you cry, and see if they want to go to the beach with you. Put down the pen and pack up a lunch, get on the 5-Fulton without a book and watch through the bus’ grimy windows as the grey concrete of the city give way to the contagious riot of green in the park . Get out at the last stop and walk yourself into a thick salty sea breeze. Feed the tides your bare feet, take your friend’s dry warm hand, hold the seagull’s cries into your newfound ears.

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